Inspiration: Diego Rivera at MoMA

MoMA’s exhibit includes murals and associated drawings made by Rivera in 1931. The museum had only just opened in 1929 and he was the subject of their second exhibit. The challenge was how to show work of a muralist whose art is defined by its creation at a particular site and on an immovable architectural structure. They ended up bringing him to New York six weeks prior to the opening and provided him with space to create portable murals. With the help of two assistants he worked nonstop and produced eight murals (six of the eight are featured here). Five pertain to Mexican history and three to New York history. My favorites are the New York murals as they very pointedly reflect the difficult time period he was here—the Great Depression … a recurring theme in this country.

This video provides a brief overview. The exhibit runs through May 14, 2012.

 

 

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Three Months Later, It’s a New Year!

I love a new year. Within the newness lies an element of possibility that feels limitless. And that feeling, that sense of potential—it’s rare and short lived and all the more precious because of it. While I don’t make resolutions, I do think about where I’d like my energy to go and especially how I’d like to conserve it.

I’ve always been a bookworm, although I’m not exactly sure how that came to be. My parents were readers. Standard bestsellers for the most part. My mother liked to remind me—with hands on hips—that she’d read Atlas Shrugged when it was first published, as though that was an obvious walk on the wild side requiring no further explanation. And that’s what’s so odd. They never discussed what they read, at least not with me. As a kid, whenever I read something I enjoyed I couldn’t stop talking about it. And I’m still that way. Regardless, books were present in the house and my mom and dad supported my own interests. That must have been enough of a foundation to become an avid reader.

In October 2nd’s post, I spoke of a book I was beginning in lieu of visiting New York. At that time I’d only read about 50 pages and barely knew what I was getting into. Now, having finished it, I can say that Mark Stevens and Annalyn Swan’s de Kooning: An American Master, is one of the greatest and most inspiring books I’ve ever read. Sadly, what led me to the book in the first place, the retrospective at MoMA, ends in a week and I won’t be able to see his collected work in person. Nonetheless, the book was a priceless adventure that I hope others will also experience.

My point about energy management and conservation is this…. During the three months I spent reading de Kooning, I felt truly happy to be captivated by one simple thing, a book. It was a treasure and resource that I looked forward to picking up each day. I loved that it was long (630 pages not counting end notes) and that it was taking me forever to read it (mostly on breaks from work as I waited for my tea to steep). The writing, the subject matter: all art. I felt focused, invigorated, filled with ideas. It became at once central and centering. The entire experience was wonderful. And so much of the joy was derived from engagement in a single task that was free of distraction. Reading. Just reading.

Here’s to 2012, to good books, and to keeping it simple!

The text and picture of this blog are the sole property of Candice Cusack. Any use of this picture or text without her express permission is forbidden.

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Inspiration: P!nk & “Glitter in the Air”

I’ve loved this song since it came out in 2009 but missed her 2010 Grammy Awards performance. And even though I’d heard it was amazing, I didn’t seek out the video until last week to find out exactly why. Words can barely describe my reaction. I’ve watched the video countless times, shared it with friends—all very with-it people who’d also never seen it!—it’s shown up in my dreams, and the song is embedded in my mind. In a good way. In terms of inspiration, her performance ranks up there with the best. Enjoy.

 

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Inspiration: Willem de Kooning

Willem de Kooning, Pink Angels (1945)

In New York, where autumn and art are one, a rare exhibit has opened at MoMA—de Kooning: A Retrospective. The entire 6th floor gallery is filled with nearly 200 works including paintings, sculptures, drawings, and prints created by the 20th-century Dutch-American artist most often described as an abstract expressionist.

Drawn to samples of his work shown in promotional pieces, in particular Pink Angels at left, I began researching his life and came across a book published in 2008 that received rave reviews (and The Pulitzer Prize) entitled, de Kooning: An American Master, by Mark Stevens and Annalyn Swan. I got hold of a copy and have been immersed ever since. It’s over 600 pages, not counting end notes, and it is fantastic. If I don’t make it to NY for the exhibit, I will still feel enriched by the book. Most biographies of great length require Herculean dedication when slogging through the slow parts, but so far (I’m still reading!) every chapter has been interesting.

The exhibit runs through January 9, 2012.

The text of this blog is the sole property of Candice Cusack. Any use of the text without her express permission is forbidden.

 

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Downtown Seattle: Friends in High Places

I have a couple of apartment-dwelling friends who live in the heart of downtown Seattle on the 25th floor. Why I’ve not invited myself over before now is beyond me, but a couple of weeks ago I asked if I might come up for a visit at twilight with my camera. What I didn’t realize is that they have three balconies facing west in the direction of Elliott Bay and north toward the Lake Union area. Because that lovely time of night passes so quickly, I made a commitment to one vantage point and set up my tripod on the balcony facing north. The urban views are fabulous and so are my friends (they even fixed me dinner!). Here are a few results.


The text and pictures of this blog are the sole property of Candice Cusack. Any use of these pictures or text without her express permission is forbidden.

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Field Trip: Wing Luke Asian Museum

On a recent sunny day, I played hooky from work and visited the Wing Luke Asian Museum in Seattle’s Chinatown-International District. The high point for me was the scrim in the museum’s Tateuchi Story Theater.

A 15 by 30 foot collection of hand-painted Japanese business advertisements, it originally served as the stage fire curtain in the Nippon Kan Theater on South Washington Street from 1909-1915. It’s not known why, but the curtain was taken down after just six years and placed in storage where it remained, forgotten, for many years. In the interim was World War II and the Japanese-American internment, and in 1942 the Nippon Kan Theater closed. Sadly, this was the case for many Japanese businesses in the area.

Building owners found the curtain in the 1970s and it was eventually rescued by local philanthropists Samuel and Althea Stroum (now deceased) when they bought the building in the late 1990s. In 2006 it was placed in the care of an art storage facility and then the Stroum family offered the curtain to the Wing Luke Asian Museum as it prepared to expand into the renovated 1910 East Kong Yick Building on South King Street.

A lot of work was required to ready the scrim for its new home. Like most fire curtains crafted in the early 1900s, this one is made of asbestos. So the hunt was on to find the appropriate protective material. The entire curtain was eventually contained within a resin-based, transparent substance capable of holding the fading color pigments in place.

It is an historic artifact of great delicacy and beauty and a cherished community treasure. I recommend dropping by the museum for a closer look.

The picture accompanying this blog is the sole property of Candice Cusack. Any use of this picture without her express permission is forbidden.

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SBX Radar: Alien Dome in Elliott Bay

Since early May, residents of downtown Seattle with a view of Elliott Bay have seen an unusual white dome amidst the cranes in the port area skyline. It’s the U.S. Missile Defense Agency’s Sea-Based X-band Radar vessel (SBX for short), designed to identify and track missiles in flight. Built by Boeing in Texas and dedicated in 2005, it’s one of a kind and huge: 240 feet wide, 390 feet long and 280 feet high when measured from its keel to the top of the radar dome. Resting on a semi-submersible oil drilling platform, it has two hulls and is capable of self-propulsion. An amazing structure.

Yesterday morning I noticed that tugboats had taken it for a spin out in the bay. The weather was unattractive most of the day, but the evening twilight was gorgeous and I managed to get a shot as the tugs were returning it to Vigor Shipyard where Boeing is performing maintenance and upgrades. The historic Pioneer Square district is in the foreground.

August 20, 2011 Update: This morning I noticed SBX was out for another escorted romp around the bay, nearly a month to the day from the last time. I wonder if it’s a planned monthly event? Whatever the case, the weather was congenial so I grabbed a strong zoom lens and got a closeup.

The text and pictures of this blog are the sole property of Candice Cusack. Any use of these pictures or text without her express permission is forbidden.

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Carole Gomez: Artful Companionship

Carole Gomez is an accomplished photographer, gardener, cook, colleague, and friend. As image inspectors for iStockphoto, we enjoy a virtual rapport—the norm for a 100-member team that spans the globe. Carole lives in Aston, Hertfordshire (UK), a village 35 miles north of London and thousands of miles from my home in Seattle. While the distance makes it impossible to meet for a glass of wine after work, through emails I’ve come to learn what Carole’s up to when she’s not inspecting or creating her own lovely images. She’s either tending to her allotment (a plot of land similar to a community garden in the US but cared for by an individual rather than a group of neighbors) or she’s creating culinary delights in the kitchen, most often with ingredients fresh from her garden. And there’s no question in my mind. Photography, gardening, and cooking are passions she enjoys in equal measure.

I’m not a gardener and my cooking skills are purely functional. So when Carole mentioned being a fan of companion planting, I had no idea what she was talking about. (One person gardens and the other keeps her entertained??) I have since learned that companion planting is based on an idea dating back to ancient Roman times wherein certain plants can benefit others when planted next to, or close to one another. The goal is a balanced eco-system and a crucial part of that system is pest management. The natural substances of certain plants (roots, flowers, leaves) will either attract or repel insects, so planting appropriate flowers amongst their vegetable allies will attract beneficial insects and birds which are natural predators to unwanted pests. The tomato and one of its many allies, the calendula (aka pot marigold), is the pairing featured in the photo below and recipes that follow. Calendula benefits tomato plants by serving as a positive host (attracting beneficial insects that control pests) and as a trap host because it attracts pests from the tomato crop.

The number of possible vegetable and flower or herb pairings is mind-boggling and, from what I can tell, devotees of this style of gardening consider it an art form—one that gardeners work to refine year after year through experimentation. As a non-participant yet great admirer of this pursuit, my thoughts have always leaned in a more aesthetic direction: the marvel of unlikely pairings, the way companionship can express itself through the play of color, shape, and closeness; and then how unique features of each are made more distinct and more memorable through the proximal act of pairing itself (a notion to be taken up in a future post). But Carol’s enthusiasm and knowledge are contagious. Speaking with characteristic effervescence about calendula flowers she said, “They’re such happy little orange flowers and they taste delicious!” And just the small amount I’ve learned about companion planting has completely altered the way I view a garden. Now the first thing I look for are signs of purposeful pairings. I love that.

Moving artful companionship into the kitchen, Carole has very kindly shared a delicious combination of recipes she created utilizing ingredients from her garden. Bon appétit!

Please visit Carole Gomez’s iStockphoto portfolio and business website.
The image of Carole is courtesy of Kelvin Wakefield, another member of the iStockphoto community.

The text of this blog is the sole property of Candice Cusack. Any use of this text without her express permission is forbidden.

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Objet Trouvé: Urban Canoe

For a few weeks this spring, an abandoned canoe rested on a sidewalk in an upscale neighborhood near Volunteer Park in Seattle’s Capitol Hill district. I discovered it one morning while walking my dog. He was unimpressed until I exclaimed, “Look, a canoe!” which I guess sounded a lot like “Look, a ball!” (we find a remarkable number of discarded tennis balls along our walk routes) because at that point he became very interested despite its irretrievable nature. The canoe was old and had seen better days; but it blended in beautifully with the surroundings and I secretly hoped it would not be hauled away, that it would stay close to its sole opportunity for flowing water and one day return to a life of adventure.

My dog and I stuck to that walk route almost daily so we could check on its status, and the day I brought my camera a man stopped to marvel at the curious sight of a canoe lounging in the neighborhood. We agreed on when it had appeared, laughed about the many possible reasons why, and then we simply stared at it as there wasn’t much more to say. We knew it was odd and temporary and lovely.

America, that surreal country, is full of found objects. Our junk has become art. Our junk has become history (Susan Sontag, On Photography).

And one day it was gone. The space where it had sat all those weeks had returned to its previously negligible state. In fact, the spot looked so small and uninviting that I was surprised the canoe had fit. So I’m left with a photo souvenir and the hope that, rather than being carted off to the dump, a kind soul took it home, installed it in the backyard, and invited the kids outside for an hour of make believe. That would be urban canoeing at its best.

The text and picture of this blog are the sole property of Candice Cusack. Any use of this picture or text without her express permission is forbidden.

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Seattle Landmark: Gum Wall

 

 

 

 

 

 

 

Until yesterday I was unaware of the Market Theater Gum Wall located in Post Alley under Pike Place Market. But that’s how it goes when out-of-towners come to visit. Touristy spots are visited—places locals tend to avoid—and discoveries are made. The ick factor is significant as about fifty feet of wall is covered with chewed-up gum, in places as high as fifteen feet. The wall is by the box office for the Market Theater and, as the story goes, nearly twenty years ago theater patrons began sticking gum to the wall, placing coins in the blobs. Efforts were made to scrape away the gum collection, but the tradition had taken shape and gum placement continued. After a few years the wall was deemed a tourist attraction and clean-up ceased. Evidently a scene in Love Happens (2009) with Jennifer Aniston and Aaron Eckhart was filmed at the wall—no doubt a high point in the movie.

The text and pictures of this blog are the sole property of Candice Cusack. Any use of these pictures or text without her express permission is forbidden.

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